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About The Great Wall of Los Angeles |
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Page 5 of 12
After the subjects to be included are selected and sketched, finished
designs are made by Baca amd a team of artists and youth selected to
work under her direction on the "design team". The finished drawings
are blueprinted or tturned into large drawings for pounce transfers.
The blueprints are 1 X 2 foot drawings used to transfer the drawing to
the wall. On site work
begins with heavy labor: Sandblasting, waterblasting and sealing the
surface. Grid lines are marked on the wall to match those on the
blueprints, and the images are transferred‑a process that provides
on‑the‑job math (as well as drawing) training for the kids. After the
lines are drawn and painted a dark blue, a transparent magenta
undercoat is applied
over the entire surface. This serves to harmonize the colors as well as
to cut the glare of the sunlight in the painter's eyes. Snow blindness
is a real hazard for the team on the massive wall. The colors are
applied first as flat areas and then highlighted and shaded with two
tones of the same color‑tri‑color blends ‑the painters call it.
Finally, a clear acrylic sealer is applied to protect the painting.
The mural has been flooded five times between 1976 and 1983, with water
rising, as high as Edison's nose," but it is not damaged by water. More
dangerous is the effect of air pollution, years of exposure to direct
sunlight, and fertilizer damage from the adjoining park lawns on the colors.
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